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How To Produce An Abstract Image - Part 1

Perhaps the title would be better as the question I have so often heard: "How can I produce an abstract image?"

Within the next few articles I intend to lead you into those dark secret places filled with wonderful tantilizing enigmas, where we will find all the passionate inspiration and the great variety of techniques required for you to be able to produce an astounding work of art worthy of Howard Hodgkin or Mark Rothko (do not worry if you do not know who they are ... y...

Perhaps the title would be better as the question I have so often heard: "How can I produce an abstract image?"

Within the next few articles I intend to lead you into those dark secret places filled with wonderful tantilizing enigmas, where we will find all the passionate inspiration and the great variety of techniques required for you to be able to produce an astounding work of art worthy of Howard Hodgkin or Mark Rothko (do not worry if you do not know who they are ... you will meet them sometime soon).

So ... how do you do it?

I need to ask you a slightly different question in order for us to move forward upon this slippery creative path.

Why?

Why do you want to produce an abstract?

... here is a list of answers which I would like you to read and then decide which, if any, loosely fit your reason for wanting to do it:

1. No reason ... I just want to.
2. It looks so easy ... and it would be nice for something to go with the decor.
3. In order to make money ... lots of it!
4. I feel compelled to ... like I really need to.
5. I have visions; dreams; day dreams; thoughts; I hear voices; I am being told to by an inner something ... and these need to be brought into the material world.
6. Therapy ... this is an opportunity for venting my aggression; bolstering my lack of self confidence; visualising my inner turmoil.
7. I want to express myself ... in a strictly personal way.

This is by no means a complete list ... you may well have completely different reasons, but this is a start.

So ... which one did you tick?

Lets have a look at them in a bit more detail:

1. This is the answer of the anarchist. A very valid reason for wanting to work abstractly ... you already have within you an angry boiling cauldron, and the potential to produce truly opposing and dramatically random works. However, this requires brut strength of will, and the blinding power of obstinancy for it to work for you.

2. One of the most common misconceptions. It is NOT easy to produce an abstract work ... it IS easy to produce a mess! This will only lead to frustration, depression, and bitterness ...then you will be an a far better position to produce something like a true abstract work.

3. There are literally millions of people producing the most amazing pieces ... and none of them are rich, famous ... even earning any money at all. I stand by my belief that what I paint is not about money - it can never be. Try again.

4. An interesting answer ... the driven series worker attitude. Dangerous yet compelling. You are destined to succeed ... but success will have no meaning or interest for you and will not help you. Yet the compulsion will take you deep into darkness (not scarey darkness but mysterious darkness) where you will find more questions.

5. The surrealist. Abstraction will not be too difficult for you ... as long as you relax a little. Do not allow the explicitness of sights blind you to the potential, and more appropriate imagery, of the arbitrary joining of coincidences.

6. Here is the answer for the purist abstract producer. Inner tensions, inexplicable fears, and blinding mental flashes all contribute to a truly innovative palette.

7. The fearless explorer ... well, that is what you will expect of yourself, but you had better tread carefully. Are you prepared to hear people telling you how much they hate your work ... so much so that they want to destroy it? ... even then are you still willing to carry on?

How do you feel? Still want to carry on and produce that masterpiece? Yes? Then here is some practical work until the next article.

Get a sketchbook, ensure you make at least one mark of some kind on one page every day. Go to galleries (online ones aswell), take your sketchbook to make any observationss or scribbles. If you are a little hesitant about mark making then here is a very useful exercise:

Get an A4 sheet of paper and a pencil; find a watch, clock or timer that measures seconds, Set the timer for 15 seconds, place the paper and pencil on a table, making sure the table is clear of any objects other than the paper, pencil, and timer ... have a chair ready to sit on at the table.

Reach out for a nearby object that you can place upon the table ... it can be anything from a mobile phone to a magazine ... and, without thinking simply place it onto the table - sit down, start the timer ... and look at the object for five seconds (DO NOT ATTEMPT TO DRAW IT). Consider shape, texture, space, highlights, lowlights, tone, tints - pay special attention to the outline of the object. Once five seconds is up start drawing ... you have ten seconds to to try to capture what you have just been looking at.

Lets face it ... you are not going to produce a masterpiece! So do not even try. I want you to simply capture the dynamics of what you see ... no more.

Repeat that six times. Each time try to slow down and draw a purposeful line - no hesitant scratches. Why draw twenty little marks when you can draw one big one.

 

How To Produce An Abstract Image II - From Anarchy To Abstraction

I want to go into a little more detail of the different ways you can approach the enigmatic task of producing an abstract. In this article we will look at the Anarchist and the Abstractist.

If you have an anarchistic attitude within you then abstract art is for you. You will never run out of ideas - in fact even if you had NO ideas then your temperament alone would find a most fundermental mood swing or dark (and maybe on more rarer occasions - light) moment to enrap you w...

abstract,,how to,art,painting,contemporary art,abstract art,modern art

I want to go into a little more detail of the different ways you can approach the enigmatic task of producing an abstract. In this article we will look at the Anarchist and the Abstractist.

If you have an anarchistic attitude within you then abstract art is for you. You will never run out of ideas - in fact even if you had NO ideas then your temperament alone would find a most fundermental mood swing or dark (and maybe on more rarer occasions - light) moment to enrap you within its aggressive drama and painful colours. Willem de Kooning's "Gotham News" is a good example of anarchistic abstraction - just look at this picture - http://www.albrightknox.org/ArtStart/sKooning.html. Wild movement mixed with such vigorous aggression.

Anarchists tend to be wildly demonstrative in their approach to ... everything! They have the potential to be able to utilize almost anything at hand that might provide them with contradictory ideas and totally original materials.

However, there is a big "down" side to what might be seen as the almost perfect abstract artist. An Anarchistic attitude tends to come from a tremendous sense of lacking in many areas. So things like confidence can be a very fearful barrier to the power of a creative flow. Therefore I believe that by working on some of the practical ideas written below obstacles like shyness and fear can slowly be weakened until finally the real artist begins to rise out from the depths of darkness or light in an increasingly "louder" manner.

The Abstractist is in many ways similar to the Anarchist. The difference here is that the Abstractist mind has a colder capability of "seeing" completely non-representative imaginings. And although both the Abstractist and the Anarchist generally produce work from deep within. The Anarchist cultivates a more physical "anti" approach, whereas the Abstractist appears to have the knack of actually visualizing dots, lines, and shapes when looking at every day objects.

Notice the similarities between de Kooning's "Gotham News" and Peter Lanyan's "Wreck" - http://www.ablot.com/wreck.htm Then take another look and seek to find any differences. "Wreck" is very anarchistic, but there are at least two variants. First the colours of "Wreck" give off an almost tangible "landscape" feel. And secondly, Lanyan seems to have made decisions when placing of lines and shapes. This is a classical abstract attitude. Another fine Abstractist example would be Howard Hodgkin.

OK lets practice. Get yourself a large piece of paper - any paper ... even newspaper will do. You will need plenty of Red, Blue, and Yellow (remember the practicals in Part I) acrylics or cheap powder paints will be fine. A one fairly thin paint brush, and one fairly thick. With the first attempt do not "think" of anything other then lines. Place the paints in easy reach for you to work quickly. Ready? Thin brush first - dip it deep into any colour then quickly bring the brush into contact with the paper - do not stop moving. Move in any direction. Paint faster. Paint one continual line. As soon as the brush starts to run dry dip it into paint - any of the colours. Keep doing this until you have filled the paper with a mass of scribbles. Try this about five or six times - not caring what is produced (you can throw it away - no one needs to see it ... or you might want to frame it!).

Now repeat the above practical only this time try using what is sometimes called "short stroke" - which is precisely that. Rather than one continual line, produce lots of short lines - you decide on the length. But make sure you are still acting as though it is one continual line - you are just lifting the brush at the appropriate time. Repeat this a few times.

Next decide which you felt more at home with. Produce another image in that way only this time look for shapes. When you see one, load your brush and paint the outline of the shape - very quickly. Finally get the thick brush and load it with a colour and roughly fill in the shape. Carry on mark making - even if it runs over any painted shapes.

Finally try again with line and shapes, and this time adding something else - you decide. If you really cannot think of anything try choosing any of the following: Screwing up the whole paper, then unfolding it and carrying on painting; rip or cut holes into the paper - and carry on painting; spatter (a well used favourite) paint onto the paper; find rice, spagetti, sand, earth, dust ... anything - pour it or sprinkle it - then carry on painting ... the list is endless.

Of course you might not be at home with this ... too messy you might say. Then, perhaps you might be a Surrealist - or maybe a Visionary ... that will be the next article.

 

How To Produce An Abstract Image II - From Anarchy To Abstraction

I want to go into a little more detail of the different ways you can approach the enigmatic task of producing an abstract. In this article we will look at the Anarchist and the Abstractist.

If you have an anarchistic attitude within you then abstract art is for you. You will never run out of ideas - in fact even if you had NO ideas then your temperament alone would find a most fundermental mood swing or dark (and maybe on more rarer occasions - light) moment to enrap you w...

abstract,,how to,art,painting,contemporary art,abstract art,modern art

I want to go into a little more detail of the different ways you can approach the enigmatic task of producing an abstract. In this article we will look at the Anarchist and the Abstractist.

If you have an anarchistic attitude within you then abstract art is for you. You will never run out of ideas - in fact even if you had NO ideas then your temperament alone would find a most fundermental mood swing or dark (and maybe on more rarer occasions - light) moment to enrap you within its aggressive drama and painful colours. Willem de Kooning's "Gotham News" is a good example of anarchistic abstraction - just look at this picture - http://www.albrightknox.org/ArtStart/sKooning.html. Wild movement mixed with such vigorous aggression.

Anarchists tend to be wildly demonstrative in their approach to ... everything! They have the potential to be able to utilize almost anything at hand that might provide them with contradictory ideas and totally original materials.

However, there is a big "down" side to what might be seen as the almost perfect abstract artist. An Anarchistic attitude tends to come from a tremendous sense of lacking in many areas. So things like confidence can be a very fearful barrier to the power of a creative flow. Therefore I believe that by working on some of the practical ideas written below obstacles like shyness and fear can slowly be weakened until finally the real artist begins to rise out from the depths of darkness or light in an increasingly "louder" manner.

The Abstractist is in many ways similar to the Anarchist. The difference here is that the Abstractist mind has a colder capability of "seeing" completely non-representative imaginings. And although both the Abstractist and the Anarchist generally produce work from deep within. The Anarchist cultivates a more physical "anti" approach, whereas the Abstractist appears to have the knack of actually visualizing dots, lines, and shapes when looking at every day objects.

Notice the similarities between de Kooning's "Gotham News" and Peter Lanyan's "Wreck" - http://www.ablot.com/wreck.htm Then take another look and seek to find any differences. "Wreck" is very anarchistic, but there are at least two variants. First the colours of "Wreck" give off an almost tangible "landscape" feel. And secondly, Lanyan seems to have made decisions when placing of lines and shapes. This is a classical abstract attitude. Another fine Abstractist example would be Howard Hodgkin.

OK lets practice. Get yourself a large piece of paper - any paper ... even newspaper will do. You will need plenty of Red, Blue, and Yellow (remember the practicals in Part I) acrylics or cheap powder paints will be fine. A one fairly thin paint brush, and one fairly thick. With the first attempt do not "think" of anything other then lines. Place the paints in easy reach for you to work quickly. Ready? Thin brush first - dip it deep into any colour then quickly bring the brush into contact with the paper - do not stop moving. Move in any direction. Paint faster. Paint one continual line. As soon as the brush starts to run dry dip it into paint - any of the colours. Keep doing this until you have filled the paper with a mass of scribbles. Try this about five or six times - not caring what is produced (you can throw it away - no one needs to see it ... or you might want to frame it!).

Now repeat the above practical only this time try using what is sometimes called "short stroke" - which is precisely that. Rather than one continual line, produce lots of short lines - you decide on the length. But make sure you are still acting as though it is one continual line - you are just lifting the brush at the appropriate time. Repeat this a few times.

Next decide which you felt more at home with. Produce another image in that way only this time look for shapes. When you see one, load your brush and paint the outline of the shape - very quickly. Finally get the thick brush and load it with a colour and roughly fill in the shape. Carry on mark making - even if it runs over any painted shapes.

Finally try again with line and shapes, and this time adding something else - you decide. If you really cannot think of anything try choosing any of the following: Screwing up the whole paper, then unfolding it and carrying on painting; rip or cut holes into the paper - and carry on painting; spatter (a well used favourite) paint onto the paper; find rice, spagetti, sand, earth, dust ... anything - pour it or sprinkle it - then carry on painting ... the list is endless.

Of course you might not be at home with this ... too messy you might say. Then, perhaps you might be a Surrealist - or maybe a Visionary ... that will be the next article.




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