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Guide in Buying HDTV

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I wrote this article originally for the HDTVetc magazine for the August 2003 issue, and it was later published on the HDTV Magazine in 2006. Consumers still go through the same struggle at national-chain stores today. I updated the article to include current HD equipment and technologies. Its tutorial substance and analysis are still applicable today, and are intended to help consumers in making the right purchasing decisions. Enjoy the reading.

The following topics are covered in this segment:

H/DTV and NTSC TV Systems, What are they?

The First Effort of the DTV Transition

Quality HDTV, or Quantity DTV, or Both?

Backward Compatibility with Legacy Analog TV for Digital Broadcast

Satellite/Cable, and the DTV Transition

Tuner Integration

The Effect DVD had for DTV

The Rush for Knowledge

You have been hearing about HDTV and decided to start looking for one. A friend of yours reminds you that the general knowledge about buying regular TVs from the CRT analog era is not sufficient to select a digital product today, so you quickly review what you read about widescreen, black bars, digital tuners and resolution, and hope things would clear out at the store.

You get into the typical nationwide consumer electronic store most people go to, and suddenly see several dozens of HDTV demo sets staring back at you. A salesperson is approaching you, the person's face is familiar; the salesperson is the one that sold you the new dishwasher two weeks ago; now the person is selling HDTVs with authority. At that point you start feeling worried, but you hang in there.

Obviously this store is not a quality dedicated A/V retail place. Many consumers make their purchases based on the uninformed advice of untrained staff from typical nationwide consumer electronic chains.

In the near past, a typical store could only have one of those HDTVs actually displaying HD, the only one that had an HD tuner; the rest were showing the same image from a video distribution loop not suitable for HD quality.

Today perhaps the whole store feed is all HD, and the sets that are staring at you show the same picture, but with different colors, contrast, image enhancements, blacks, whites, etc. because no one bothered to set them correctly. So you start wondering why HDTV is not consistently perfect as is being preached, is that what HDTV is about?

The sales person turns toward you and, in the middle of your consumer panic attack, tells you: "trust me, buy this TV, it would look much better at home once connected to an HD tuner". Would you buy a car without test-driving it?

Millions of people went through similar experiences since HDTV was introduced in November 1998. Fortunately, some improvement is gradually seen in the stores, especially in dedicated A/V retail stores, which should take more time to help consumers understand the concepts behind each display technology, and not just quickly sell the HDTV inventory with the red tags, as most national consumer electronic chains do.

Most consumers love red tag savings, and many leave the stores wallet-happy with a product they do not understand. Perhaps many of those do not actually want to understand because the HDTV technology has been introduced with a complexity level they refuse to deal with to just get a TV.

To illustrate the complexity of an HDTV purchase decision you might want to read Is HDTV Complex Enough?

The objective of the article you are reading is to help you make your purchase with more confidence, but first allow me to cover the following basic subjects about HDTV:

H/DTV and NTSC TV Systems, What are they?

You might already know of the US plan to replace our current analog interlaced TV system (NTSC) dated from the 1940's by a digital DTV system, by February 17, 2009. Curiously enough the idea started as "analog" HDTV until General Instruments proposed an all-digital system in 1990.

The DTV standard is composed of 18 digital formats grouped into two levels of quality, as approved by the ATSC (American Television Systems Committee) in 1995:

1) SD: Standard Definition, with 480i/p (i:interlaced, p:progressive) viewable horizontal lines of vertical resolution (rows counted from top to bottom), each line with up to 704 total pixels of horizontal resolution (counted from left to right), and with an aspect ratio (relation of width to height in units) of 4x3 (as regular TV), or widescreen 16x9.

2) HD: High Definition, with 720p and 1080i/p viewable horizontal lines of vertical resolution (rows counted from top to bottom), each line with respectively 1280 (for 720p) or 1920 (for 1080i/p) total pixels of horizontal resolution (counted from left to right), and only in widescreen 16x9 aspect ratio.

Note that, because is not complex enough, the horizontal lines (rows) are expressed as "vertical" resolution (480, 720, 1080), and the vertical columns made of the aligned pixels on the horizontal lines are expressed as "horizontal" resolution (704, 1280, 1920).

DTV was 15 years in the making before it went on the air in November 1998. HDTV is the quality part of DTV, but its implementation is not mandatory, SD is. I will use the term DTV only when addressing the digital TV system in general.

Later in 2000, the Consumer Electronics Association (CEA), allegedly to help confused consumers, created another resolution level in between: ED (enhanced definition).

This promoted the 480p SD format to ED level, leaving only the 480i format in the SD level. It also granted any TV the right to be labeled HDTV if capable to display only 810i lines of vertical resolution within the displayed image, rather than 1080i.

One can argue how much this intervention from the CEA helped consumers more than helped manufacturers getting rid of mediocre sets. But that was back when CRT based DTV sets were the strength of the market; now most DTV sets are fixed pixel displays and their resolution is clearly specified as a pixel count in both directions.

Our current NTSC over-the-air (OTA) TV system is 480i analog interlaced (actually 525i with 480i viewable horizontal lines of vertical resolution). The regular channels of digital satellite and digital cable could be compared to digital SD of broadcast DTV, but they are also transmitting dozens of channels in HDTV.

To facilitate the transition, broadcasters were given one extra channel slot from the FCC for the simultaneous broadcasting of the analog and digital versions of their programming. It is a large investment for TV stations to build a DTV facility with new cameras, production, equipment, etc.

When DTV is fully implemented, broadcasters have to return one of the two channels, analog over-the-air broadcasting will stop, and current analog TVs, VCRs, TiVos with analog tuners would stop "tuning" as well (but they will still work as display devices if fed with a 480i analog signal from a converter, VHS tape, DVD player, etc). This date was originally set for January 2007 but has been extended to February 17, 2009. Once DTV is implemented, the FCC will auction that spectrum of airwaves.

Most OTA terrestrial TV stations are already broadcasting DTV in SD and HD widescreen, and consumers are buying HDTV sets at accelerated pace every year.

The First Effort of the DTV Transition

Just a look back at CEA's 2003 statistics, on the first 5 years of HDTV approximately 6 million DTVs (of which only 300,000 where integrated with DTV tuners) and 400,000 tuner set-top-boxes (STBs), were sold between 1999 and 2003. By the end of 2007, the HDTV count was 8 times fold, and about 50% of households have digital TV sets, according to the CEA.

Back in 1998/9 it was not unusual for first generation HDTV monitors to cost $10,000, and HD STB tuners to cost from $700 to $3,000. It was expensive for early adopters.

By the end of 2007, a huge variety in technologies and TV sets was available for every viewing environment. DTV sets are much better in quality, and sell for a small fraction of the price they sold back in 1998.

Quality HDTV, or Quantity DTV, or Both?

We all love the incredible video quality of HD, however, since HD is not mandated within the DTV plan, it allows a broadcasting station to use the allotted 6 MHz space (for the HD channel), to multicast instead several sub-channels of lower SD quality, as it is actually happening on many stations across the US.

When sharing the same 6MHz total bandwidth, SD sub-channels rob about 2-3 Mbps each from the needed bandwidth of an HD channel that by itself should broadcast at 19.4 Mbps (if the station also multicasts an HD sub-channel). The parallel broadcast forces further compression of the 19.4 Mbps HD signal to a lower bit rate to make room for the SD sub-channel, compromising HD quality.

In many cases, more than one SD sub-channel is multicast together with the HD sub-channel. When the reduced HD bit rate compresses the signal beyond acceptable limits, it renders a lower quality image with noticeable artifacts, especially on fast moving images in sports, which are more evident, and unacceptable, on large screens (more on it later).

It might also be possible that the TV station desires to share some of the bandwidth for data-casting interactive services, or for mobile DTV applications for hand-held portable devices (because there will be no analog broadcasting to those portable devices as well). For more information, check the articles I wrote on the "Mobile DTV" series, where I analyze the potential impact of mobile applications on the quality of an HD channel when robbing from its bandwidth.

We all hope that HD will reign, and HD quality will prevail over the digital-quantity business models, and you have to encourage DTV broadcasters to do so, besides, most consumers bought an HDTV not a SDTV.

Backward Compatibility with Legacy Analog TV for Digital Broadcast

When the DTV broadcast is fully implemented in February 17, 2009, there would be backward compatibility with your current analog equipment, but there is a catch, in order for you to watch DTV terrestrial digital channels on your current analog TV you would need a digital over-the-air STB tuner connected to it. Your current analog TV would display an analog interlaced 480i version of the digital image.

There is no need to rush for the replacement of an analog TV that might be in good working condition if you just want to continue watching similar quality TV, but you would have to buy a STB digital tuner for broadcast DTV.

This applies also to your analog VCR, DVD recorder, TiVo, etc., if you want them to have broadcast tuning independence. A few years ago, DTV STB tuners were relatively expensive, in the $400-$1000 price range, imagine buying a $400 digital tuner for a $30 analog VCR, but they are gradually coming down in price.

The US government has approved a subsidy coupon program to help people purchase DTV tuners to facilitate the analog-to-digital transition so existing analog TV sets can continue to be used for broadcast digital DTV.

For that purpose, Congress approved a fund of $1.5 billion dollars, with an initial allocation of $990 million dollars to subsidize up to two $40 coupons per household. The coupons became available in January 2008 and can be requested by consumers until March 2009, to use them toward the purchase of two DTV tuners.

The two coupons cannot be used together to purchase only one DTV tuner, neither they can be used to buy another type of OTA tuner/DVR STBs, satellite STBs with broadcast DTV tuners into them, or cable STBs.

The tuners offered by this program are expected to cost in the $50-$70 range each; the consumer would have to pay the difference after applying the $40 coupon. According to the plan, the tuners would become available by mid February 2008 through the national chains of Best Buy, Circuit City, etc.

Although the subsidized tuners are designed to tune digital SD and HD channels, they cannot output the tuned signal other than 480i analog resolution to an analog TV. In other words, the subsidized tuners would not perform as typical HD tuners passing resolutions of 480p, 720p, or 1080i to HDTV devices for HD viewing. Their functionality is just to downconvert because their purpose is backward compatibility to analog TVs, but their price is lower than typical ATSC HDTV tuners with variable output resolutions and digital outputs.

Satellite/Cable, and the DTV Transition

If you are a satellite subscriber you already have the satellite STB you need for their digital SD/HD services. Additionally, most satellite boxes also have a terrestrial ATSC tuner if you want to get free local channels using a VHF/UHF antenna. However, DirecTV introduced a new model in late 2007 without antenna input; the local channels would have to be viewed from the satellite feed, a service they have already for most major cities.

If you are a cable subscriber, when the cable company decides to disable the analog feed to your household and supply only the digital feed, you would need a digital-to-analog cable STB to view the digital channels on each analog TV in your house, similar to the approach of the coupon program for broadcast DTV above, but you would have to lease or buy the cable STB, no coupons.

Cable companies were authorized by the FCC in late 2007 to continue their analog feed service for another 5 years (up to 2012) if they prefer, but they are not obliged to do so. Cable STBs do not have DTV digital terrestrial tuners into them so you cannot use their STB connected to a UHF/VHF antenna to receive free local channels.

Cable companies face at least two alternatives on the analog-to-digital transition between 2007 and 2012:

a) If their subscriber base is mostly digital, a cable company might have the incentive to make a large up front investment to acquire enough digital STBs to convert all the remaining analog subscribers as soon as possible to digital tier services, who would have to lease one digital STB for each analog TV. That would release the bandwidth occupied by the analog broadcast channels on the cable feed, which could be used for additional digital channels, and receive an increased revenue if those are premium, VOD, PPV, etc. paid services.

b) If the subscriber's base is mostly analog, a cable company might prefer to keep the existing mix of analog and digital STBs, and maintain the analog tier as long as needed until 2012. Since the cable feed bandwidth allocation for the analog broadcast channels must continue with this alternative, the company would have to postpone the potential growth of digital channels and services, but there will not be a need for an up front large investment for expensive digital STBs because there is no forced conversion. This option seems economical for both the company and the subscriber, because a subscriber would not be forced to lease a digital STB for each analog TVs that might be currently connected to the wall coax without a STB, as many non-primary TVs are in most households.

While the up front investment of a large number of digital STBs could be expensive to a cable company, there could be a partial offset with the potential revenue received from additional digital pay services such as VOD, PPV, or premium channels. Additionally, the number of digital STBs required for a full digital conversion of the cable feed might be further reduced when considering the growing base of integrated HDTVs with CableCARD tuners expected to increase in 2008 and 2009.

However, since the integrated CableCARD tuners within HDTV sets are only unidirectional, there might still be a cable subscriber's base that would still require the bi-directional capabilities of cable HD-STBs for VOD, PPV, and cable supplied programming guide. Each cable company would have to balance those factors until 2012.

Tuner Integration

In 2002 the FCC issued a "mandatory" plan to gradually integrate digital broadcast tuners into DTV monitors and other tuning devices, such HD DVRs. The plan has been already implemented in 2007 for all the sets larger than 13", and all DTVs on sale today are mandated to include digital terrestrial tuners (except for some industrial/professional models). In most cases they also include a cable on-the-clear tuner for non-premium unscrambled channels, or even include a CableCARD tuner for premium channels and services.

As mentioned above, the CableCARD tuners are unidirectional only, and lack the bi-directional features of Video-on-Demand, Impulse Pay-per-View, and cable-company supplied programming guide, for which a separate set-top-box from the cable company would still be needed until integrated TV sets are designed to have bi-directional capabilities on their integrated CableCARD tuners.

Industry analysts commented for years that economies of scale would bring down the price of digital tuners to the level of today's very low price analog NTSC tuners within TVs, but the reality is that STBs for ATSC terrestrial, or for cable, satellite, DVRs, etc. (not the down-converting government-coupon STBs) still have a high price, considering that comparatively, large HDTVs came down from the $5,000-$10,000 in 98/99 to more accessible prices below $1000.

More on this subject is covered further down.

The Effect DVD had for DTV

Most of the 6 million people that bought HDTVs on the first 5 years of the transition (98-03) did so NOT to view HD, but rather to enjoy playing widescreen DVDs at 480p. Even now in 2008, after Hi-Def DVD has been already introduced in early 2006, regular DVDs are still a favorite content for DTV, because they certainly display quite well as progressive 480p, or upscaled to 720p or 1080i/p to the native resolution of the digital set (by either the DVD player or the TV set). The same DVD played on an analog TV would only show the image as a 480i interlaced scanning.

In addition, an HDTV has the capability to show widescreen DVDs in anamorphic format displaying all the original vertical resolution stored on the disc, while 4x3 analog TVs would show the same DVD letterboxing the image between larger top/bottom bars in order to maintain the wider aspect ratio of the movie, and with less vertical resolution for the image itself.


HDTV: Buying Guide, Part One

There’s never been a better time than now to buy a high-definition television (HDTV). Whether your primary source of television programming is local over-the-air broadcasts, cable or digital satellite TV, you will find that there is now a wealth of high-definition programs available.

HDTV, TV, DVD, technology, satellite TV

There’s never been a better time than now to buy a high-definition television (HDTV). Whether your primary source of television programming is local over-the-air broadcasts, cable or digital satellite TV, you will find that there is now a wealth of high-definition programs available. If you have a standard-definition television you will also enjoy all of your widescreen-format DVDs that much more on a HDTV. And with Toshiba now shipping their first-generation HD-DVD players and Blu-Ray players coming to North America next month, there are even more reasons why it makes sense to take the plunge and buy an HDTV.

Now that you’re convinced you need to go out and buy a brand new HDTV the question is what type of unit to buy. First, you should decide what size HDTV makes sense for you. Because HDTV’s have a wider aspect ratio (16:9) compared to a standard television (4:3) you will want to choose a larger diagonal screen size for your new HDTV than you might expect. CNET has a great guide you can check to find out the right size that meets your needs.

Now that you’ve chosen what size HDTV to get the next question is what type of technology you should look at. Older CRT analog televisions were all based on the same basic technology, but now you have a potentially confusing array of choices: LCD, plasma, DLP, LCoS, and D-ILA. LCD and plasma are both flat panel technologies that can be mounted on walls. If you’re looking for an HDTV less than 42 inches then LCD is probably your best choice. Plasma is a better choice for HDTVs over 42 inches, as current LCD units get very expensive in larger size formats.

I just pre-ordered the new Samsung HLS-5087W 50 inch rear projection DLP HDTV. Many believe that DLP technology offers the best price/performance in the 50 inch plus category of HDTV today. Sony has made a large investment in LCoS technology which it brands as SRXD, while JVC brands their LCoS line D-ILA. LCoS (Liquid Crystal on Silicon) is most similar to DLP (Digital Light Projection) technology, however many believe the DLP camp has made faster progress on reducing manufacturing costs to offer consumers a better price/performance ratio. While rear projection DLP HDTVs lack the flat panel appeal of LCD and plasma units, they are much lighter and have far less depth than the CRT televisions of the past.

You’ve chosen the right size and technology for your new HDTV, and now you’re trying to understand what is 720p versus 1080i versus 1080p. Let me help you out here – don’t bother getting a 720p today. I’d recommend at least a 1080i, better yet a 1080p. My new Samsung is both 1080p input as well as output. In order to understand what all of these strange numbers mean, well, you’ve have to wait until my next article.


HDTV: Buying Guide, Part Two

In my first article I wrote how there's never been a better time to buy a high definition (HD) television, and I had just preordered the Samsung HLS-5087W 50 inch rear projection DLP unit. The Samsung was delivered last Thursday and here's a summary of my initial reaction.

HDTV, HD, TV, DVD, satellite TV, plasma, technology, consumer technology

In my first article I wrote how there's never been a better time to buy a high definition (HD) television, and I had just preordered the Samsung HLS-5087W 50 inch rear projection DLP unit. The Samsung was delivered last Thursday and here's a summary of my initial reaction.

First let me give some background on preparing for the new HD television. I'm a satellite TV subscriber and needed to upgrade my DirecTV hardware to be HD-compatible. So last month I logged on to and ordered the HD upgrade package. For $200 DirecTV came out and replaced my old satellite dish with a new 5-LNB oval HD dish. The HD package included the lease of DirecTV's new H20 HD receiver, and also included installing a new UHF antenna on my roof to receive other-the-air (OTA) HD local broadcasts. The new dish and receiver were required for HD reception since DirecTV is transmitting local HD broadcasts in the new MPEG-4 compression format instead of the older MPEG-2 standard. Since HD material requires much more bandwidth than standard definition video, satellite and cable providers will be migrating to the new MPEG-4 standard over time and DirecTV is leading the way for now.

I was now all set to receive HD programming as soon as Samsung HLS-5087W arrived with one exception - an HDMI cable to output the digital video/audio signal from the H20 to the Samsung. I'm a big believer in investing in high quality cables for analog connections between audio/video components. But HDMI is a digital interface that transmits a stream of 0's and 1's. So either it works or it doesn't. I therefore bought a $20 HDMI cable on the Web instead of investing $90 or more for a Monster cable that I thought would yield exactly the same audio and video quality. One great thing about HDMI is that it carries both video and audio signals (in uncompressed, digital form) so you can easily reduce the cable clutter behind your home theater system.

Now everything was all set - I just needed the new Samsung to be delivered. I ordered the television from Crutchfield, which has a great reputation for customer service, is an authorized Samsung online retailer, and offered the television with no tax or shipping charges. The delivery guys brought the television into my living room, took it out of the box and placed it on my home theater stand. I connected the power cable, connected the HDMI cable form the H20 to the Samsung, turned on the power, modified the TV display type on the H20 from 4:3 to 16:9 and amazingly the new television just worked, right out of the box!

I was quickly in HD nirvana - watching local broadcasts in full 1080i and Dolby Digital 5.1, as well as premium services such as HBOHD and the various HD channels that are part of DirecTV's HD package. But how would the 150 DVDs I own (most of which I trade via Peerflix) look on the new HD Samsung? I first had to bring up the menu on my Panasonic DVD recorder/player and activate 480p output over the component cables that I connected to the Samsung. Most DVD players sold in the last three years can output a progressive signal (the "p" in 480p) over component cables instead of the normal interlaced picture transmitted on composite and S-video connections. 480p is a big visible improvement over 480i and you'll want to make sure you are watching all of you DVDs on a HD television using 480p.

I chose Shrek as the first DVD to showcase on the Samsung. Dreamworks did an amazing job with the animation quality of Shrek and thought the DVD would be a good test of the picture quality of a standard definition DVD on a HD television. So how did it look? One word sums it up - amazing! I don't expect I'll be going out to the movies much any more - I'll just wait for the DVD to come out.

On Saturday night I watched a broadcast of Steve Winwood in HD and Dolby Digital 5.1 on KQED, the local PBS affiliate. Being a huge Steve Winwood fan, and having seen Winwood on this tour at a local venue in 2005, I was eager to see what kind of audio/video experience the new HD unit could deliver via a local, OTA HD broadcast. Once again, I was just stunned by the picture quality and quickly went to KQED's web site to see what future Soundstage broadcasts are scheduled. I'm now eagerly awaiting Garbage's performance premiering next month.

There was one more thing left to do though before I could experience the maximum picture quality from the new Samsung - I needed to calibrate the picture for maximum video quality. Virtually all televisions sold today ship from the factory with video settings that are far from optimal. Colors are typically oversaturated, with too warm a tone, and sharpness, brightness and contrast controls that are far from optimal as well. So I dug out my copy of "Video Essentials: Optimizing Your Audio/Video System" DVD and spent a half hour adjusting the color, brightness, contrast and sharpness controls. The HLS-5087W has numeric display of each of these settings, which is a nice touch for those of us who go through the trouble of tweaking every setting possible for maximum picture quality. It was hard to believe that I could improve upon the quality of the Samsung's picture out of the box, but fine-tuning the picture settings resulted in a much more "film-like" appearance of movies from both my DVD player and H20 receiver.

I'm looking forward to watching the season premiere of HBO's Entourage series in full HD glory tonight. It's also going to be difficult holding off purchasing a HD DVD source with HD-DVD and Blu-ray players and titles now starting to appear. But I'll talk about that in my next article.


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